Quebec students are still on strike against tuition-fee hikes, as roughly 36,000 post-secondary students will be striking Tuesday.
Less than 10 percent of students from some universities and colleges will be participating after a vote was held. These actions are a message for the Charest government.
This anti-government campaign has gotten progressively aggressive. According to police, 37 people were arrested last week. These students had locked themselves in the college. Once they were rounded up, they proceeded to throw projectiles at police officers.
Over the next five years, tuition will almost double. Strikers claim that education is a right and by raising the price for education, many will feel reluctant to continue studying.
However, even with this increase, Quebec’s tuition is the cheapest in Canada.
Flickr photo by: Anyalecta

The first I had ever heard of Charles Bradley was after last July’s SappyFest, a music festival held outside of Sackville, New Brunswick. While I unfortunately did not get to attend SappyFest, every individual I spoke to that got the opportunity to go could not tell me much about the festival without mentioning Bradley and enthusiastically recounting his performance. I kept hearing about this phenomenal old soul singer who screamed, danced, cried, and finished his set off by going through the crowd to hug his audience. I do not know about you, but a musician like that seemed too great to pass off, and it did not take me long to look into him and seek out his music for myself.
Charles Bradley is part of a soul revival movement that has become increasingly popular in the last few years. This movement, which aims to bring back and celebrate the funk and soul sounds of the 1960’s and 1970’s, boasts other great artists like, but certainly not limited to, Lee Fields And The Expressions, Sharon Jones And The Dap-Kings, and Aloe Blacc. As a fan of soul music I could not turn down yet another great sounding contemporary artist, and on February 10, 2012, he graced Montreal’s Théâtre Corona for a night of fantastic, heartfelt soul music.
To start the set off, the Extraordinairies, Bradley’s six-man accompanying band, came to the stage and warmed the audience up with two instrumentals until the keyboardist approached the microphone to introduce the “one and only ‘Screaming Eagle of Soul’, Mr. Charles Bradley.” His reception to the stage was more than warm, with the crowd more excited than I have ever seen at a show in Montreal. Bradley, who marched on to the stage in a bright and shining fuchsia suit, performed his first song very strong and complete with his stage theatrics and incredible dancing. Each song Bradley played came with the whole package and ended with him showing his appreciation and love back to the audience by either bending down with his hands clasped together or on his knees thanking them; it is no wonder why people cannot help loving this man.
As the show carried on, Bradley worked through all the songs from his 2011 album No Time For Dreaming, but nothing caught the attention of the crowd more than his powerful hit, “The World (Is Going Up In Flames).” In time for Valentine’s Day, Bradley certainly did not shy away from his more romantic numbers like “Lovin' You, Baby”, which soothed the crowd, composed mostly of swooning couples. After the first half hour, he took a break backstage for a costume change whilst a couple more instrumentals kept the audience busy. Upon returning to the stage in yet another shiny suit, this one gold with a diamond-studded Pharaoh’s head on the back, Charles Bradley opened up the second half of his set with my favorite of the night, a cover of Neil Young’s “Heart Of Gold”, which he had recorded back when he was accompanied by the Menahan Street Band.
Overall, the show had not a single element of disappointment and I can say without a doubt that I understand the raving reviews I heard back in the summer following SappyFest. Charles Bradley is one of few performers in the music world who can make an audience member feel loved for simply coming out to a show. To top it all off, the show ended with Bradley climbing down into the crowd while the Extraordinairies played him off and the audience rushed to return their love.
-Mason W hosts Midnight Love Affair on Sunday's from 11pm-12am
The iconic cross at the top of Mont-Royal had a different look early Monday morning.
According to CTV news, a group of students covered the cross with a red flag. Students protesting proposed tuition increases by the provincial governmment have been wearing red patches on their clothes for most of the year.
The red flag on the cross was removed by authorities before 9am Monday morning.
Flickr photo by: Mononc' Paul
Iran has cut off oil exports to France and Britain as reported by the Montreal Gazette.
In a move seen as retaliation for sanctions placed against them, Iran cut off it's exports of oil to France and Britain on Sunday.
The move coincides with UN inspectors arriving in the Islamic Republic on Monday to press about the disputed Nuclear Program undertaken there.
Iran has long denied that they are developing nuclear arms and insist that their Nuclear Program is for peaceful reasons.
The Eu had placed sanctions on Iran in recent weeks, which led IRan threatening to close the Strait of Hormuz which is seen as a major shipping lane in the Gulf.
Flickr photo by: Marius Waldal
St. Eustache police have fatally shot a suspect in an attempted robbery over the weekend.
According to the CBC, early Sunday morning, St. Eustache police were called to the corner of Leveille and Arthur Sauve Blvd where they encountered 28 year old Daniel Samson.
According to an SQ spokesman Samson was armed.
The suspect was shot and later died in hospital of his injuries. The investigation has been turned over the the SQ.
Students have spent the weekend planning strike action.
According to CTV, CEGEP student leaders from around Quebec convened at CEGEP Montmorency to plan out their strike action should a walkout occur.
Plenty of students are already on strike as of last week and more should follow suit in the coming weeks.
They claim that they will do all they can to change the government's plan of raising tuition fees over the next five years.
Students in Quebec CEGEPs and Universities are voting now on strike action until mid-March.
Flickr photo by: zalgon
Read by: Kevin Gascoigne
Stories by: Carlo Spiridigliozzi
Produced by: Carlo Spiridigliozzi
Read By Shaun Malley
Produced by Erica Bridgeman
Stories written by Joel Balsam and Shaun Malley

Montreal get ready! February 19th is "Baby Phife’s Return."
Phife Dawg, one of the key members of the beloved A Tribe Called Quest, had been maintaining a pretty low-key rap profile since the drop of his solo album, Ventilation: Da LP, but recently he’s been working in the studio again preparing to launch Songs in the Key of Phife Volume 1: Cheryl's Big Son. With new material on his plate and the recent release of the A Tribe Called Quest documentary, Beats Rhymes & Life: The Travels of A Tribe Called Quest, it’s due time that the five foot assassin came to pay his Montreal fans a visit.
The night is going to start with an exclusive screening of the Beats Rhymes & Life doc and opening acts from Gee Wunder, Raz Fresco and Montreal’s own David Hodges and The Honest Gentleman. With a panorama ranging from his unreleased material to his classic tracks with ATCQ, Phife Dawg will no doubt satisfy this city’s famished ears.
This show is brought to us by our wonderful local fam at Off The Hook and tickets are exclusively available at their boutique or online.
Phife Dawg (ATCQ)
Sunday, February 19, 2012, 8pm
Club Soda
1225 St-Laurent Blvd
25$ +tx
Off The Hook Boutique
1021 Ste-Catherine Street West
514-499-1021
-MF Gold co-hosts Say Word! with Caity every Wednesday from 3-4pm

The Woman in Black is the classic tale of a haunted mansion situated upon the outskirts of a secluded village. A young lawyer and our main protagonist, Arthur Kipps (Daniel Radcliffe), is sent to the run-down mansion to take care of the ancient and unorganized paper work left by the old tenants. As soon as Kipps gets to the village, the villagers are infuriated with his presence and make him feel very unwelcome, which builds the mystery for the viewer.
As the story unfolds, the mansion seems to be inhabited by a very angry ghost who is, as you guessed it, a vicious woman dressed in black; the tale in the town is that every time she is seen a child in the village will die in some gruesome way. Arthur is determined to discover why this ghost is taking the lives of the children so ruthlessly, especially because he keeps seeing her and more children are dying in the village.
Horror films are undeniably my favourite genre; they leave audiences very vulnerable and, in my opinion, are one of the truest examples of an emotionally charged genre. Tension builds and builds until the audience can no longer stand it; they sit on the edge of their seats waiting for that horrific release that comes from revealing the always-present threat. If your audience is constantly feeling threatened then you will have a successful, memorable horror experience. Because horror is my favourite genre, I was really excited to review this film, but after the credits rolled so did my eyes.
Director James Watkins (Eden Lake) leads this project with class. His choice of camera movements were clean and clear yet they left me feeling bored. Watkins builds up the tension until it is almost unbearable. The musical score guides the audience towards the mediocre “pop-out” scare tactic, unfortunately the scares get old by the middle of the film and started becoming even more predictable as the film goes on. Marco Beltrami (Terminator 3: Rise of the Machines, Blade 2, The Hurt Locker) composed the original scores, and without his musical guidance audiences would not have known when to feel tense and the scares would not have been as frightening, unless you’re idea of a good scare involves close-ups of creepy wind-up dolls and empty rocking chairs that keep rocking away without anyone living sitting in them.
The cinematography is what I loved the most about this film. Tim Maurice-Jones (Snatch) was the cinematographer on this project and he was able to capture amazing, smooth helicopter shots of the location, which created the mysterious tone felt throughout the film. The mansion is situated on a marsh and the tide determines when you leave; the only way in or out of the property is this long, winding road that is usually covered by aggressive water. The mystery was amplified with the cohesive framing of certain areas of the mansion. The long dark hallway was a key area for the film because of all the different encounters that happen and all the different doors that Kipps could open and explore.
In conclusion, this film was a typical twenty first century horror film. I haven’t been scared while watching a horror film in a really long time and The Woman in Black didn’t do it for me either. I couldn’t help but glance at my watch once or twice anticipating the conclusion of the mediocre ending. Then ending and conclusion of a horror film is why I am a filmmaker myself: the creativeness of the director is pushed to his or her limits and the possibilities are endless. I was left disappointed and looking for more. Save your money for the rental.
2 out of 5 stars
-Andrea Boulet