Film

There are truly no words to properly articulate how much I enjoyed Piece by Piece,  released on October 11th, 2024.

*Reader discretion is advised for the films mentioned in this article* 

The Fantasia Film Festival is back at Concordia University’s Hall Building and surrounding area for the 28th edition, which runs from July 18th - August 4th. The premier genre film festival gives the excuse to beat the heat and grab a seat for a film that will surely entertain. Before we get to our top film picks curated by us, Remi and Danny of At The Movies, here are some things to look forward to at this year's edition.

Alex Garland’s film Civil War taps into the director’s trademark nerve-inducing wake-up calls that hit close to home about where we are at as a society. There was the wake-up call about artificial intelligence in Ex Machina and whatever nerves he wanted to provoke about humanity with his following films Annihilation and Men. The films leave the audience with a haunting, somewhat uneasy, feeling that makes me have questions about humanity. I normally end up doing deep dives on YouTube for explanations and in-depth analysis of these films.

RIDM is back with its usual programming of eclectic and dynamic documentaries from all around the world. Celebrating its 26th edition, RIDM stands by its mission of creating a platform for underrepresented voices, authentic expression and coming together, hence the origin of their French name “rencontres” or meetings. With such a diverse lineup, every individual is able to curate an experience of their own. Whether it's selecting films that speak directly to their own lived experiences or discovering something completely new to them, RIDM allows attendees to thread their own stories through viewership. 

This year has been interesting for films in the sense that it has been “the year of the epic” – without exception, the most critically and commercially successful films in 2023 have been grand in every sense of the word. The Holdovers is different. By contrast, it’s a tightly focused and tightly cast film that’s driven by the characters and the exploration of their emotional depths.

Traditionally, the summer is a season of escapism, blockbusters, and franchises in the movie industry. Oppenheimer, heavy in dialogue, tone, and subject matter is this summer’s exception to the rule. The father of the A-Bomb gets the big-screen treatment in this prestige film about one of the most important events in human history that has taken summer cinema by storm.

Cineplex recently posted some Mother's Day movie suggestions now in theaters, one of them being Beau is Afraid. I couldn't help but feel a certain dread at the idea of Ari Aster's latest film being recommended for mothers and sons. Don’t get me wrong, Beau is Afraid, is a vast spectacle of a film that succeeds as being one of Aster's most complex robust works as a director, almost hitting the three hour mark.