Magazine

It is the middle of the month of May, and this can only mean one thing for Japanese music nerds in Canada: it’s time for another edition of Next Music from Tokyo (NMFT).

In short, NMFT is a DIY tour organized by Steven Tanaka, funded entirely from his own pocket. It is a passion project driven entirely by the desire to expose Canada to the amazing indie music scene from Japan, and has been running annually (sometimes twice in a year) ever since 2010.

Having growing up in a city whose main claim to fame is the promise of a stable career in government, running into old high school friends in Montreal has become quite the common occurrence. This past Wednesday, I once again found myself running into an old pal from my hometown. Like most instances, the encounter took place at a bar. Unlike other occasions, however, I was there to take part in their album launch.

Recently, I have spoken with individuals who, perhaps to my undeserved surprise, have never ventured to the Eastern edge—who have never set foot in Nova Scotia despite enticing tales of slackened lifestyles, dramatic landscapes, majestic sea creatures, and kindly leprechauns. This May, there is a more of a reason than ever to go the distance and explore the mysterious Maritimes firsthand—OBEY Convention X, one of the most forward thinking arts festivals in Canada, is celebrating its tenth year of being.

Perhaps this is simply an effect of the indie-scene filter bubble I’m floating in at the minute—the reverb-addled echo chamber that encourages me to skip any and every song that doesn’t start with a chip-packet crackle of feedback and some sweet, jangly, twangy arpeggio—but I’m convinced (hyperbole alert!) that we are currently experiencing a shoegaze revival. The Shoegaze Revival. Slowdive are back, Ride are back; in the last few years, we’ve had new albums by My Bloody Valentine and Swervedriver after hiatuses of 15-20 years.