RSS

Suoni Per Il Popolo: Prince Rama + Leopard et Moi @ Casa del Popolo

With the Suoni Festival done and the Jazz Festival taking its place, there won’t be as much concert-going in the Plateau in the coming days. Prince Rama and Leopard et Moi braved the stage of a small but patient crowd the night of June 23rd. They waited and waited for the hordes to come through the door of the small second stage at Casa del Popolo, but it didn’t happen. So, after about an hour and a half delay, Leopard et Moi finally started their set.

Hello high energy! Leopard et Moi, an assembly of a huge amount of percussion instruments and noisy electronic beat makers, put forth their enveloping melange of art/punk/noise/prog beats to the appreciative few. Their psychedelic vocal stylings complemented both the more rhythmic and ethereal hypnagogic pop that Leopard et Moi master. I had never heard of them, but if you’re interested in some quite interesting local talent, I would recommend checking out their tracks. They’ve got three releases, the most recent being one from May of this year, "L’Amour de la Nature."

After about a half an hour set, Prince Rama took the stage. They were the band that I was looking most forward to seeing this Suoni, even above Omar Souleyman. If you have not heard of them already, I would recommend 2010’s Shadow Temple for starters. This group was raised on a Hare Krishna commune and escaped to the embracing arms of art school in Boston where they nursed their psychic selves and jammed on psychedelic themes. Their music is infused with heavy ritualistic percussion and Sanskrit chants, and transports you into a trippy headspace. Having had their music hypnotizing me via my headphones every morning for the past few months, I thought this show would be out of this world, literally. But everyone knows that feeling you get when you’ve anticipated something much too much and the actual performance is just not up to the stuff of imagination. That was the feeling I had watching Prince Rama. Still, though, I would recommend Prince Rama recordings any day. They’ve been enlisted by Animal Collective to play the All Tomorrow’s Parties Festival in the UK, so they’ll be big any day now.

-Danielle J hosts Runny Noise on Thursday from 10pm-12am

Bombardier lays off 1,429 UK workers

Bombardier assembly line in Holland

Montreal’s transportation giant Bombardier will lay off nearly 15 hundred of its employees in the UK. This is after losing the bidding war for new English trains with German rival Siemens.

The cuts will amount to nearly half of the workforce in its British manufacturing plant. This plant has been making trains since the 1840s and is one of the world’s largest rail manufacturing sites.

Trade unionists are afraid the remaining jobs in the plant will be lost after Bombardier’s last British contract finishes in 2014.

Canadian Aid Ship Seized

A Canadian ship attempting to bring humanitarian aid to Gaza was seized Monday night by the Greek Coast Guard. The ship, the Tahrir, had at least 30 Canadian activists on board.

The Tahrir was part of a flotilla of aid intended to penetrate the Gaza sea blockade and bring help to people in Gaza. Last week Greece banned all boats in the flotilla from leaving port, fearing that an incident similar to last year when a different aid mission ended in tragedy after nine Turkish activists were killed by Israeli forces, could happen again.

15 minutes after leaving the port, the ship was boarded by two armed Coast Guard officers said an activist on the ship. He also said the officers drew their weapons as they seized control of the ship.

The Canadian government has criticized the flotilla but the activists aboard still hope they will receive support against what they say is an unlawful act by the Greek government.

The Gaza Strip sea blockade has been in place since 2007. The Israel government says it is to stop weapons reaching Hamas.

Suoni Per Il Popolo: The Strange Boys + White Fence + Purling Hiss

The last time The Strange Boys came to Montreal, they played a packed Casa del Popolo and thoroughly rocked the densely packed room with their particularly shambolic blend of backwards-looking garage / blues / retro psych-rock. I know that not because I was there, but because that was the main topic of discussion in the moments leading up to the Suoni Per Il Popolo four-fer taking place on a cool Wednesday night at the slightly remote Il Motore. Hype kills, though, so it seemed best not to absorb too much of the sentiment.

First up was Purling Hiss, a three-piece with a thick guitar sound and songwriting reminiscent of middle-era Pearl Jam, with a bit of a psych tinge to frontman Mike Polizze's raging solos. Unfortunately, without the odder numbers and distant production work of their LP Public Service Announcement, their set turned out more than a little monotonous, save for a few standout hooks (particularly on the anthemic "Run From the City"). That would've been fine for a 15-to-20 minute set - the sort you might expect from the first band on a quadruple bill - but Purling Hiss wound up pounding away for about 45. More than once, Polizze called back to the sound guys to find out how much longer they had, only to be told they could do a couple more. A few minutes later, it was announced that second-stringers Sic Alps had cancelled, thus explaining the extended set.

White Fence, touring behind their Is Growing Faith LP, were considerably less leaden, a more natural fit with the headliners (with whom they share a member), and considerably tighter and more boisterous than their recorded material might suggest. They quickly amassed a unique following, immediately in front of the stage where a mosh pit might have manifested under different circumstances: between eight and a dozen girls - and only girls - formed a loose-knit impromptu dance crew, some of them adopting mock-retro moves to go along with the band's appealingly jangly sound.

The headliners finally took the stage around 11:30 or so, launching into a (sadly, saxophone-free) set of tunes more or less evenly divided between their last two LPs, 2009's And Girls Club and 2010's mellower Be Brave. They didn't dare approach any of the outright ballads that make up a goodly chunk of the latter's tracklist (though an airing of "Between Us" might have been nice), generally sticking instead to two modes: mid-paced blues, and nimbler garage rock, with both making great use of the two-guitar setup. The highlights - "Be Brave," "Poem Party," and especially "This Girl Taught Me a Dance" - boasted the biggest hooks and the most infectious rhythms, easily working up the more active element of the crowd into a completely appropriate frenzy. After all the hyperbole, it must be said that the Austinites lived up to the hype, even if at least one hipster was heard to have said: "I mean, it was good..."

-Denis A hosts Dirty Work on Thursdays from 8-10pm

NOFX @ Metropolis

For a group that’s been in the business for years, NOFX show no sign of slowing down. It’s been almost 30 years after “Fat Mike” Burkett, Eric Melvin and Erik Sandin got together as NOFX in Los Angeles! The group is still touring and putting out albums (their last album, Coaster, was released in 2009). June 21st marked the second of two consecutively packed shows that the veteran punk group gave at the Metropolis - two nights of good old So-Cal punk rock.

NOFX have been one of those groups I’ve enjoyed since high school but haven’t been able to admit to liking  (long story!.  I’ve had the opportunity to see some of those other bands before, but now it was their turn. I got to the Metropolis midway through the second of the two opening bands’ set. They were pretty good, I must add, and I regret not having arrived earlier. One thing was for sure, the crowd was anxious and hyper; I guess alcohol will do that to you. Luckily, it only took the sound crew a few minutes to set the stage and do the regular pre-show check-ups. A funny note: while the preparations on stage were underway, they were playing hip-hop songs, which upset a few people around me quite a bit! They even played, “Welcome to Jamrock’’ by Damian Marley as the intro song for the group! It did quiet the crowd who was chanting the group’s name loudly, but not for long. Once the initial surprise passed they restarted.

When they got onstage as a huge cheer from the crowd greeted them. From the onset, you could see the guys were in a good mood and were not afraid to deliver low-blow jokes at each other. That attitude remained for the rest of the show; no one would get spared - not even the crowd. They also announced that they were not going to play the same songs that they played the previous night, which made the crowd unhappy. But they didn’t stick to that. They played 23 songs total and Fat Mike even mentioned that, since they had been partying in the city since Sunday, he might not remember all the lyrics to their songs. Hilarious! Music-wise, they delivered 90 minutes of punk rock that turned the floor of the Metropolis into a stormy sea of people pushing and shoving and getting thrown in the air. They did manage to play a balanced set of songs from all of their albums. I would have liked to hear my favourite song but it didn’t happen. Numerous bits highlighted the performance: comedic parts and girls throwing bras on stage, for example. Eric Melvin and Fat Mike actually wore one for most of the show; the latter got his after requesting a black bra, which was thrown to him a few seconds later.

I must say, the guys did not disappoint. Even if it was the second night, they gave the fans their money's worth and more. We even got the chance to see the guys perform a sketch at the end of the encore. A jaw dropping can-can style sketch in which no religion, ethnic background, sexual orientation or opinion were not made fun of, all with a theme of ‘’everyone is racist’’. One of the most amusing and hilarious shows I’ve seen in a while. The little teen inside was very happy.

-Alex Menjivar hosts The Letter B on Saturdays from Midnight-1am

Four Montrealers given Order of Canada

Nine Quebecers were appointed to the Order of Canada Thursday. Those include four Montrealers.

Alain Lefevre is a celebrated pianist and composer. Denis Marleau is an internationally renowned director and the founder of Theatre Ubu in Montreal. Jean-Claude Fouron is recognized for his contributions to the advancement of pediatric cardiology. He is also a professor at the Universite de Montreal. Pierre Nepveau is well known in literary circles as well as a retired professor.

The Order of Canada is the country's highest civilian honour. Members are recognized for a lifetime of service to a community. The appointments were made by Governor-General David Johnston.

Police cleared in 2005 shooting death

Montreal police have been cleared of any wrongdoing in the 2005 shooting death of Mohammed Anas Bennis. The long-delayed coroner's inquest says that Montreal police officer Yannick Bernier was acting in self defence when he shot and killed Bennis.

According to the report, Bennis attacked Bernier with a knife, wrestling him to the ground. Witnesses say they heard him scream that he had been struck. When he got up again he pulled out his gun. Bernier said Bennis refused multiple requests to drop his knife. When he allegedly lunged at him, the officer fired two shots. 

However, Bennis' lawyer says there are still many unanswered questions. He says the knife was never checked for fingerprints or DNA. In response, the coroner says there was never any doubt the knife was his.

July 1st 2011

News read and produced by Erica Fisher.

Stories written by Erica Fisher and Aisha Samu

NBA Headed Towards a Lockout

The NBA will gradually head towards a lockout if a deal isn’t reached between the players and owners. 

A recent three hour meeting this week could not close the divide between the two sides. At stake is everything from salaries, salary caps, to revenue sharing. Players currently receive fifty seven percent of the league’s revenue. Owners want to implement a hard salary cap, which the players oppose.

If a lockout happens, all official league business will be put on hold. 

The only other NBA lockout saw the reduction of the 98-99 season to only fifty games.

The NBA could become the second pro sports league to lockout its players after the NFL lockout began in March.

Suoni Per Il Popolo: Wyrd Fest @ La Sala Rossa

This one's going to be a doozie: 10 bands played the Wyrd MTL festival on June 20th and I only have 600 words to run down each of their sets. Yikes! Get ready for a hardcore attention deficit concert review. This review will be especially difficult as throughout the course of the show the only thing I could say about most sets was that they were "…weird, well not like actually weird, but like, I'm such an idiot because it's called Wyrd MTL. This is so frustrating."

My computer has no word count, so let's get down to business.

1) Headaches: I missed this performance. I'll definitely give the promoters of this show credit for running a tight ship in terms of set times. WEIRD.

2) Shortpants Romance: Worst band name ever. While the set wasn't particularly exciting, I expected it to be infinitely worse. Pretty straightforward nouveau-garage a la White Stripes/early Yeah Yeah Yeahs with a definite Quebecois accent and female vocals. The group's singer seemed dissatisfied enough with their set to prematurely drop her mic and leave the stage. NOT WEIRD.

3) Ultrathin: I missed this band but have seen them a hundred million times. They're usually very good, NOT SO MUCH WEIRD though. You and I will both get a chance to see them again very soon as their presence at 'wyrd' shows is NOT UNUSUAL/WEIRD.

4) The Friendly Dimension: Super heavy and bass driven band of Muppets on acid. This was probably my favourite set of the night. The lead singer's complete lack of traditional stage presence was hypnotizing and his dance moves could only be described as "super whack", which was amazing. I can only really describe this band's badass set abstractly. I felt like I was experiencing a Graviton effect; it's moving super fast and intensely leaving you paralyzed by the sheer weight of the atmosphere crushing you against a wall. The feeling is really fun and you can't experience anywhere else. This might not make sense, but this band had a WEIRD effect on the way I understood music.

5) Man Made Hill: Hoodied one-man electro/noise band. I can appreciate that he was physically into the music he was creating (headbanging or dancing or whatever), but it got a little sloppy when he attempted to add vocals to his intricate noise pad pounding. Kind of underwhelming, but some people seemed to dig it. WEIRD.

6) Hobo Expanding Cult Band: Seemed like a big ol' noise jam band overwhelmed by synth and spoken word. I wasn't so into it and felt disturbed by the spoken word vocals; was it English? Italian? Nonsense? Arabic? Uh, I feel stoned. WEIRD.

7) Dreamcatcher: Basically a more refined version of Man Made Hill with two members, one of which had the job of adding vocals to avoid confusion and add a hint of Suicide to the mix. More drone-y and less dance-y than the previous electro/noise act, I was surprised to see a couple of people really giv'r on the dance floor. WEIRD.

8) Lantern: "ARE YOU GUYS POOR? THIS ONE'S FOR YOU!" Okay, that's a lame and NOT WEIRD thing for a rock and roll band to say, but awful stage banter aside this band was pretty radical. All it took was one guitar, one bass and a drum kit to fill the room with hard-rocking and righteous rhythms while inspiring an overwhelmingly disaffected audience to drop the act and shake their shit. Also, this was probably the one band of the evening that weren't ridiculously reliant on pedals to make their music passable or possible.

9) Dirty Beaches: I love this guy's voice and I really dig his music, but seeing a live set by Dirty Beaches shouldn't be on your bucket list. Most of the set is made up of vocals, a guitar and pre-recorded sampling - a technique rarely used outside of the hip hop world - which is neat but slightly dull if used without a sort of stage show. The first two songs of the set also included a live saxophone player and drummer, which I felt was kind of a lackluster attempt to legitimize the music being played and have it seem less…karaoke? I would tell Dirty Beaches to drop those dudes. It's the 21st century! If you wanna use prerecorded music in a live show you should go ahead and do it! We're all going to be mating with sexbots soon anyway. It SHOULDN'T BE WEIRD!

10) D'Eon: No thank you! 80s dance pop revival songs about Facebook using lame-ass pan flute synth? AND PEOPLE ARE DANCING?! So this is…ironic? Post-irony? NOT WEIRD and NOT INTERESTING and NOT GOOD! If this is where "underground" music is heading I want nothing to do with it. All of these "alternative" individuals grinding away to what may as well be Madonna WEIRDS ME OUT! Go to the club and stop lying to yourselves.

Rob Feulner also provided top-notch trippy WEIRD video visuals all night, making Sala Rosa's bathroom doors the best they've ever been. Period!

-Kelly K hosts Cut Your Hair and Get a Job every Tuesday from 1-2pm

Pages