Full Of Hell’s highly-anticipated fourth full-length Weeping Choir launched back in May to critical success. Just between me and you, we’re well aware how tardy this review is being published. Now I, illuminated by my unnecessarily bright laptop screen in an otherwise deprived-of-light basement at two o’clock in the morning, could sit here and reason with you as to why such a big release wasn’t covered back on May 17th when it originally debuted. Perhaps the complexity and pummeling nature of Full Of Hell’s music needed a whole month and a half to properly decipher, or maybe one can find meaning in the inverse relationship between this album’s full-throttle attitude and my lazy summer work ethic.