Magazine

Upon entering the Théâtre Corona, I had no idea that my ticket of admission also doubled as a one-way train ticket to an elevated state of mind. Before the show, I was stressed about the school year coming to an end, and all of the exams and final papers piling up made me question whether or not going to a concert in the midst of the mayhem would serve me any good.

Nonetheless, Cut Copy and Jessy Lanza obliterated my self-doubt. They conducted a fast-paced joy ride, which allowed me to travel from a dark and troubled mind to a land of care free-joy.

I had an embarrassing moment a couple of weeks ago. My buddy sent me an excited message that Snarky Puppy was coming to Montreal, and I had never heard of them. Knowing that this friend usually shares my taste in music, it definitely merited investigation. A few YouTube videos later, I was completely hooked. Snarky Puppy turned out to be right up my alley: the perfect mix of funk, soul, hip-hop, and jazz. I knew this was not a concert to be missed.

Show review by Damaris Baker, CJLO Production Team

The first time I heard Stephen Malkmus was in Melbourne, Australia around nine years ago. "Post-Paint Boy" was the track, part of a compilation entitled La Revolution de Spunk. It snuggled up nicely with tracks by Sufjan Stephens, The Books, Akron Family, Anthony and the Johnsons, and Holly Throsby. 

On a blustery, snowy night in February, I pulled myself away from the school library, downed several drops of concentrated oregano oil, and set out to the Corona Theatre on an odyssey for the night. On this particular night in question, the Black Angels and Roky Erickson—Austin-based psych stalwarts from different generations—had come to town. Common wisdom dictates not going out to a show while sick. But if there's one personal truism that says anything about my sense of priorities, I will put a solid night of psychedelic goodness over my health pretty much every time.