Magazine

Independent, provocative, now! The CJLO Magazine is the resource for features, reviews, and interviews. Established in 2004, and run by dedicated CJLO volunteers, the magazine covers the latest and best in local and international music, art, theatre, film, festivals, and more!


What's Happening?

We Just Wanna Have Some Fun, Down At The Rock And Roll Club

Not sure if January 15th being both the arcane feast of Saint Paul the First Hermit and the day that Prince Palu gave up his futile search for some sort of medically induced hibernation have anything to do with each other, but it sure is cold outside. However, we are sure that, unlike Paul of Thebes, Prince Palu does not have a raven that brings bread to his cave everyday, so he went out and bought some thermal underwear and resigned himself to the fact that these are our days until the first or second week of May. Now resign yourself too and here are some live music options for you this week.

Thursday, January 15, 2015


Hound - Out Of Time

SRA 2014

The debut album by Philly rockers Hound allows each of us to scratch our rock itch, to indulge in an album that is relentless rock 'n' roll. Out Of Time consists of ten tracks, six of which are under three minutes in length. At less than twenty-eight minutes, this album doesn't allow for any superfluous bells or whistles, there's rockin' to be done.


Q&A - Mr. Green Live from the Streets

Live from the Streets is an original series on Noisey featuring producer Mr. Green who records street sounds, chops them up, and then collaborates with hip hop's finest artists to create the freshest beats around. Ariel DJ Misschief from CJLO's Greedy Graffiti (Thursday 2 PM) catches up with Mr. Green to find out more about the project, staying positive, and the best place to chill in Brooklyn.

 

When did you start producing tracks and when did you make the first you were truly proud of?


Confessions of an Instagram Addict

I hate to say it, but I am an Instagram addict. I see friends and they tell me, “Oh I loved your photos on Instagram, you really post a lot!” A back-handed compliment, praised tinged with judgment. I don’t really know anyone in my personal life who uses the medium so ardently, so consistently, so obsessively, and to what end?


What's Happening?

We Just Wanna Have Some Fun, Down At The Rock And Roll Club


Eagle Tears

Self-released, July 2014

If I try to describe the debut album from Eagle Tears, I think of times when music actually held some technical clout. I think the '70s. There's a total '70s metal and hard rock vibe, but to stop there would be too easy. I'll have to get to that in my summation, it'll come.
 


Caribou - Our Love

Our Love is Dan Snaith's fourth LP, and first in four years, under his Caribou moniker. Throughout the 10 tracks of the album, Snaith creates a rich tapestry of sounds that have a warmth and richness to them that envelops the listener at each turn. It's always quite amazing to find artists who can take the seemingly cold and calculating (computers, software programs, electronic equipment, and so on) and manipulate them to ultimately achieve a sound that offers a kind of 21st Century campfire warmth.


Highlights 2014 - Seb Black + Eddie Paul @ Casa del Popolo

This is the first in a series of photo essays that take a look back at some of the highlights from the year 2014. Kicking off the series is Montreal's own Seb Black at Casa del Popolo on March 20th.


Top Films of 2014

Before I start this list I have a few things to say: I try as much as much as possible to keep up with movies, however I could not get to a showing of The Imitation Game (Dir. Morten Tyldum), Snowpiercer (Dir. Joon-Ho Bong), The Rover (Dir. David Michod) or Joe (Dir. David Gordon Green) (sincere apologies to Nick Cage) in time for this list. Other films I was unable to see include the Christmas day releases of Unbroken (Dir. Angelina Jolie) and Big Eyes (Dir. Tim Burton). Due to being limited releases (most receiving wide release only in January) I was also unable to see Inherent Vice (Dir. P.T.


'Big Eyes' strips Tim Burton bare

 “From far away you look like an artist, but up close you’re nothing”, a line from Tim Burton’s new film, Big Eyes, that could come to describe the trajectory of his career. Throughout the 80’s and 90’s he established a reputation as the kind of auteur situated comfortably between the demands of art and commerce; meaning he could adapt all sorts of brands to the screen, whether they be a comic book (Batman), television show (Pee-Wee’s Big Adventure) or even trading card (Mars Attacks!), all while maintaining a distinctly personal touch arisen from gothic horror, expressionism, animation and mid-20th century kitsch.


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