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Ashbreather, a new and upcoming Montreal band, has the potential of making it big, simply due to the amount of originality they hold. The fuel behind this driving force: they are non-stop writers, creating new and fresh music, song after song. Let’s dig into their newest self-titled release, Ashbreather.

The album begins with a somber atmospheric feeling as if being pulled into a journey, like as if one is rising from the grave and coming back to Earth. Right off the bat, the opening track titled “Lonely Graves” gives the album a fittingly-good introduction.

Photo Credit: Chris Romano

As you may or may not know, I’m the Metalcore enthusiast at CJLO. Go ahead, call me a “poser” all you want. There is nothing better then a good Metalcore song during these quarantine times, where the only moshpit you might see is a hole in you wall with mushrooms growing out of it.

Photo Credit: IMDb

Celebrating its 20th anniversary this year, I decided to rectify a blind spot viewing of mine and watch Almost Famous. Directed by Cameron Crowe, the film takes a focus on life on the road of a rock and roll band and their fans known as groupies. Audience views the film through the protagonist, a journalist writing an article for Rolling Stones magazine. From these two thematics we can see Almost Famous from a Metal perspective.

When it comes to the country of Sweden and Metal music, most people often associate it with the subgenre of death metal. So why have I come to review this family drama about a ski trip in the French Alps? Is there anything metal about this film, other than the fact that Kristofer Hivju from HBO’s Game of Thrones co-stars? Maybe if we looked further at the sound design of the film and its central premise, there can be some metal aesthetics to be found.