Magazine

Independent, provocative, now! The CJLO Magazine is the resource for features, reviews, and interviews. Established in 2004, and run by dedicated CJLO volunteers, the magazine covers the latest and best in local and international music, art, theatre, film, festivals, and more!

CJLO X SWSW 2019: Hip Hop Recap

May 2 2019 // Amrew Weekes // Magazine // Features

Photo: Xenia França by Thomas Artuzzi

At this year’s SXSW, I saw a lot of female artists.  On Thursday March 14, I saw Xenia França from Bahia, Brazil who was part of a showcase for world music day at the Austin Convention Centre. She put on an incredible show.  She sang about female empowerment and loving yourself while being backed up by her band playing sounds of Brazil that made you want to move.

CJLO x SXSW 2019: World Music Recap

May 2 2019 // Kelly Belfo // Magazine // Features

Photo: Sea Moya

It’s time to digest our street meat and musical discoveries from this seemingly never-ending music-at-every-corner festival and conference 2019.

Tennyson at Petit Campus, April 13 2019

April 30 2019 // Malte Leander // Magazine // Concert Reviews

Tennyson – the brother-sister duo of Tess and Luke Tennyson took on Petit Campus touring with their newly released EP Different Water – with a tight and well executed show.

BROODS at Theatre Fairmount, April 13, 2019

April 22 2019 // Eylette Levy // Magazine // Concert Reviews

Ever since the success of their single “Bridges”, from their debut album Evergreen, released in 2014, New Zealand music duo BROODS has held a special place in the indie and electropop scenes. Their music has seen itself evolve from having an airy, tranquil, and soothing ambiance, to a confident and powerful rebirth in their album Conscious, to a flip to colorful and vibrant 80s sounds in their latest album Don’t Feed the Pop Monster, which came out in February 2019. Despite the variety of sounds they have experimented with over the years, everything they have released is guaranteed to start a dance party.

Stella Donnelly: Beware of the Dogs

April 22 2019 // Lisa Rupnik // Magazine // Music Reviews

“Are you scared of me old man? Or are you scared of what I’ll do?”

​Those are the chanted lyrics on Stella Donnelly’s opening track “Old Man” on her debut album “Beware of the Dogs”. Already the listener is the exposed to the kind of ride they are in for. This is an artist that does not hold back: a rebel with a cause, potentially trained as an assassin for feminist rights. 

L’Amalgame Cracks the Concrete on Latest Album

April 19 2019 // Alex Viger-Collins // Magazine // Features

Photo: Manvs

When it comes to TV, a series’ best episode is often what’s known as a “bottle episode,” where the entire plot takes place in one sole location (e.g. Seinfeld and the Chinese restaurant).  What makes these episodes so good is that they give the characters a chance to let their chemistry shine through without distractions.

Ziva Postec: The Editor Behind the Film Shoah

April 11 2019 // Remi Caron // Film

 

CJLO x SXSW 2019: SLAX x SW : Direct to Damnably

April 10 2019 // Zakary Slax // Magazine // Features

When I arrived on the scene, the stench of vomit was already emanating from the alleyways.

The Darker Side of Metal: Part 2 – Sexism

April 8 2019 // Chris Aitkens // Magazine // Features

We here at CJLO love heavy metal, despite its many flaws. It’s not just a few bad apples spoiling the genre. Some cases are evidence of cultural intolerance infiltrating the scene, getting worse as the music becomes more extreme. This two-part series will examine the problematic nature of metal. We’re only scratching the surface here, the subject matter can fill books and multiple documentaries. But only by acknowledging the problem, can we change it for the better.

Gauche at Bar Le Ritz, April 2 2019

April 7 2019 // Cecilia Piga // Magazine // Concert Reviews

‘Faut qu’on commence? On commence maintenant?’; after a few sound tests the first act, Helene Barbier, skips the introductions and small talk and starts off the set with “Not so Impressed”. Her set combined a mixture of songs from her first album ​Something​ and newer songs like “Tidal Bore”. Her debut album ​Have you met Elliott?  is set to be released later this year under Higher Records. Barbier still has somewhat the same mellow garage rock vibe than her main band Phern, but without the upbeat or pop components. Even though she carried a rather shy stage presence, her use of repetitive yet catchy choruses and chords kept the audience engaged.

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