At this year’s New York Film Festival, Greta Gerwig, writer/director of Ladybird, asked the crowd, “What is Boyhood, but for a girl? What is The 400 Blows, but for a girl? What is personhood for young women?” Ladybird fits somewhere in between both of those films, while remaining singularly unique. Saoirse Ronan’s Christine, or Ladybird as she prefers to be called (prefers is a generous word, more like demands), is in her senior year at an all-girls Catholic School in Sacramento. It would be a mistake to call her a troublemaker or a ‘bad girl’. Gerwig is far too nuanced in her writing to create a female character that could categorized as such.