Photo: myhotposters.com

Montreal is welcoming the latest addition to it’s cinema family, Cinema Moderne: located in Mile End, and born just this year on September 17th 2018. When walking through its doors, there is an irrepressible feeling of a dream coming into reality. The cinema is comprised of a 50+ seat theatre with a bistro and bar, with promises of many cultural events to come. The cinema’s mission is inclusive and innovative, with an aim to incorporate series into their programming featuring directors from indigenous populations, women and local artists.

For those looking to relive the 90s, there’s no better news than a 30th anniversary performance possibly in the works of the debut album by Halifax power-pop quartet Sloan. “Four nights at the Foufounes!” bassist Chris Murphy told the crowd, before adding that he hopes to assemble the other acts that played their first Montreal show.

Murphy was joking, of course, because Sloan is nowhere close to being a nostalgia act.

Le festival international de films LGBTQ de Montréal, Image+Nation, va encore plus loin pour sa 31e édition, du 22 novembre au 2 décembre 2018. On s’attend à une semaine surprenante et à des films de qualité. D’année en année, les cinéphiles montréalais avides d’une meilleure représentation LGBTQ se donnent rendez-vous au festival qui ne cesse de grandir. Pour constater moi-même l’engouement autour d’Image+Nation, j’ai décidé d’assister à quatre de leurs soirées.

For a Sunday night, Montreal had many options for concert goers on Nov 4th. Metalheads seemed divided between seeing Behemoth at MTelus or Windhand at le Belmont. Personally, I was originally planning on seeing some good ol’ Quebec grindcore at l’Entre-Nous. That is, until I got word that Fucked Up would be in town, along with hardcore sound-alikes Mil-Spec.