The 2022 Sepultura/Sacred Reich tour made its Montreal stop yesterday – uniting metal fans across the city. This much needed gathering came in the wake of the province’s easing of COVID-19 restrictions, with concert venues only re-opening at full capacity five days beforehand.

From a sociological perspective, music genres have completely plateaued. Analyzing any style of music, from psych rock, hip hop, folk, to metal, undoubtedly reveals a past point of origination and a list of artists who founded the genre within a scene. Easy examples of these historical points are psychedelic rock and the 1967 Summer of Love, disco sprawling out of urban nightclubs in the 1970s, goth rock and the UK scene of the same name in the 1980s… you get the idea.

Content Warning: Mentions Indigenous children’s unmarked graves and residential schools

In the opening sequence of Ste. Anne, a lone figure slowly makes her way across a prairie field at dusk. A train whistles in the distance. It’s fall, and foreboding storm clouds have gathered just above the horizon. 

We learn that this is Renée (played by filmmaker Rhayne Vermette herself), a Métis woman whose family hasn’t seen or heard from her in four years, including her young daughter Athene (Isabelle d’Eschambault). 

Now, without a word of warning or explanation, she has decided to come home.