Piknic Electronik's Opening Weekend Knocks on Summer’s Door

Last Sunday everyone’s favourite summertime festival, Piknic Électronik, kicked off its 20th season with a solid line-up of some of the biggest names in the Electronic music scene; internationally and locally. Taking place from May 21 to October 1 every Sunday on Montreal’s Île Sainte-Helene, festival goers can catch numerous DJ/Producers perform on two stages. This year's line-up includes legends such as New Yorkers Louie Vega and Kerri Chandler, Montreal’s own and Piknic fan favourite Misstress Barbara, and Fred Everything.


Beach House's Become EP: a Review

Beach House surprised the world by releasing a new EP Become, on April 22, 2023. The collection being the second EP in the American dream-pop duo’s discography, follows their 2022 album Once Twice Melody. Victoria Legrand (vocals, keyboard) and Alex Scally (guitar, keyboard, backing vocals) have been making music together since they formed the band in 2004.


Beau is Afraid: Not A Mother's Day Movie

Cineplex recently posted some Mother's Day movie suggestions now in theaters, one of them being Beau is Afraid. I couldn't help but feel a certain dread at the idea of Ari Aster's latest film being recommended for mothers and sons. Don’t get me wrong, Beau is Afraid, is a vast spectacle of a film that succeeds as being one of Aster's most complex robust works as a director, almost hitting the three hour mark.


Filmmakers from the Indian Sub-continent Diaspora Shine Bright at the South Asian Film Festival of Montreal

South Asian Film Festival of Montreal (SAFFM) 2023, presented by Kabir Centre for Arts & Culture is back after a year of dormancy. The festival was screened with Bibliothèques de Saguenay and La Cinémathèque québécoise from April 28 to May 10. This year’s films were picked all the way from India, Pakistan, and Bangladesh, to Canada and the United States; aired in person and online.  Kabir Centre aims to unite communities through thought-provoking films from the Indian Sub-continent empowering the culture and the languages. 


Cats, Clutch, and Beer Torture

My first experience with opening act, Amigo the Devil, was a standard affair. Their output originally came in as a mere muffled kick drum echoing around the depths of the MTELUS– a steady beat rocking the gaping porcelain mouths upstairs. Joining this heartbeat were the anguished hurls of an occupant in the next stall, whose devilish retching combined with the muffled beat in a way that would make the best black metal bands jealous. Amigo the Devil weren’t that bad.


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