Magazine

Independent, provocative, now! The CJLO Magazine is the resource for features, reviews, and interviews. Established in 2004, and run by dedicated CJLO volunteers, the magazine covers the latest and best in local and international music, art, theatre, film, festivals, and more!

DJ SHADOW + CUT CHEMIST + Kid Koala @ Metropolis

February 19 2008 // Magazine // Concert Reviews

By Bram Gusman - 12-Inch Satisfaction - 01/29/2008

Very rarely do you find artists who master their art as well as DJ Shadow and Cut Chemist do. Both hailing from California, these Hip Hop pioneers have been revolutionizing the scene since the early 90’s. It seems that these deejays are always on their game and the “Hard Sell Tour” show at the Metropolis on January 29^th was no exception.

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SICK OF IT ALL + Madball + Wisdom in Chains @ Le National

February 17 2008 // Magazine // Concert Reviews

By Josh Mocle - The Kids Are So-So - 02/03/2008

Normally when reviewing concerts, I discuss the bands in the order they performed. However, in the case of the Sick of It All headlining show at Le National on February 3^rd, I find it appropriate to start off with discussing the headliner and working in reverse since absolutely none of the bands on that relatively well put together tour would have existed in their current incarnation if it weren’t for Sick of It All.

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XAVIER RUDD @ Metropolis

February 17 2008 // Magazine // Concert Reviews

By Comma Chameleon - Semicolon Cancer; - 02/08/2008

After the dull lull of the crowd’s roar, Xavier Rudd’s opener was dominated by a backup recording of a strong baritone-and-nasally throat singer.

WAR. CONSUMERISM. DRUGS. FAMINE. RACISM. TERRORISM. PORNOGRAPHY. POWER. VANITY.

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KEREN ANN + Dean & Britta @ Cabaret Juste Pour Rire

February 15 2008 // Magazine // Concert Reviews

By Simon Howell - A Listening Ear - 02/08/2008

"You'll have to keep walking, friend."

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MGMT - Oracular Spectacular

February 9 2008 // Magazine // Music Reviews

By Simon Howell - The Listening Ear - 01/22/2008

"I'm feeling rough, I'm feeling raw / I'm in the prime of my life." Beginnings don't get much more confident than "Time to Pretend," the ebullient opener to Brooklyn synth-pop duo MGMT's (pronounced "management") debut album. The track explodes with Technicolor synths, Dave Fridmann's typically commanding production work and an infectious sense of purpose -- even as it tosses out inanities about getting "models for wives." It's a sign either of brilliant things to come, or a band a little too eager to grab your attention.

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SAM SHALABI - Eid

February 7 2008 // Magazine // Music Reviews

By Simon Howell - A Listening Ear - 01/22/2008

About four years ago, when I was still ecstatic to have moved to a city in which great music was in abundance at a seemingly endless variety of used record stores, I picked up the Shalabi Effect's self-titled debut. Why? Principally because it had a shiny cover with a nebula on it, and it was a two-disc record for eight bucks, which seemed like an unbeatable bargain. Needless to say that seventeen-year-old me was inadequately prepared to process the two hours of drone-based recordings contained inside that inviting slipcase.

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THE PACK A.D. - Tintype

February 7 2008 // Magazine // Music Reviews

By Simon Howell - The Listening Ear - 01/22/2008

Too many bands get the particulars right but offer little in the grand scheme of things. They dazzle you with colorful cover art, witty liner notes, slick production, or a clever name. So it was refreshing to discover B.C. duo The Pack A.D.'s Tintype, which eschews all of these superficialities to deliver a surprisingly multifaceted blend of blues-rock, undercut by a compelling moody streak and aided by its bare-bones production (courtesy of drummer Maya Miller).