Magazine

Independent, provocative, now! The CJLO Magazine is the resource for features, reviews, and interviews. Established in 2004, and run by dedicated CJLO volunteers, the magazine covers the latest and best in local and international music, art, theatre, film, festivals, and more!


CJLO x SXSW 2019: SLAX x SW : Direct to Damnably

When I arrived on the scene, the stench of vomit was already emanating from the alleyways.


The Darker Side of Metal: Part 2 – Sexism

We here at CJLO love heavy metal, despite its many flaws. It’s not just a few bad apples spoiling the genre. Some cases are evidence of cultural intolerance infiltrating the scene, getting worse as the music becomes more extreme. This two-part series will examine the problematic nature of metal. We’re only scratching the surface here, the subject matter can fill books and multiple documentaries. But only by acknowledging the problem, can we change it for the better.


Gauche at Bar Le Ritz, April 2 2019

‘Faut qu’on commence? On commence maintenant?’; after a few sound tests the first act, Helene Barbier, skips the introductions and small talk and starts off the set with “Not so Impressed”. Her set combined a mixture of songs from her first album ​Something​ and newer songs like “Tidal Bore”. Her debut album ​Have you met Elliott?  is set to be released later this year under Higher Records. Barbier still has somewhat the same mellow garage rock vibe than her main band Phern, but without the upbeat or pop components. Even though she carried a rather shy stage presence, her use of repetitive yet catchy choruses and chords kept the audience engaged.


Album Review: Devin Townsend’s Empath

You're welcome: I have delved into the Tartarean pits of my inbox and brought back such wonders to behold. So wondrous are these wonders that even for the recounting of their wonder I can't help but say you're welcome.

Empath is emerging.

That's right, a new era of Devin Townsend succulence has dawned upon our sordid realm, and now that it is up in me, like a caring mother bird shall I regurgitate some digested scraps of it into your eager brain-maw. To think this time last year I was digging through Steve Vai's garbage, and now look at me.


The Darker Side of Metal: Racism

We here at CJLO love heavy metal, despite its many flaws. It’s not just a few bad apples spoiling the genre. Some cases are evidence of cultural intolerance infiltrating the scene, getting worse as the music becomes more extreme. This two-part series will examine the problematic nature of metal. We’re only scratching the surface here, the subject matter can fill books and multiple documentaries. But only by acknowledging the problem, can we change it for the better.


Interview: Hero’s Last Rite

After discovering Hero’s Last Rite while doing my research form the Thrash Metal episode of the Iron Club, I was intrigued by the little heavy band from Fredericton, New-Brunswick. After exchanging a few emails, I got my first phone interview with singer Steve McDonald and here is the transcription of that phone interview.

 

JP Bernier : “I’m with Steve McDonald, frontman of Hero’s Last Rite, a band from New-Brunswick. Hi Steve, how are you?”


Assimilation: The Laws of Power Album Review

Clench your fists and get that circle pit ready, ‘cause Assimilation are in town. Innovating within a genre traditionally lacking innovation, these British Columbia boys are on the prowl for severed heads and crushed skulls! Just kidding, these are some pretty nice dudes; their music is pretty scary, though.

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Exploring Assimilation's West Coast Brew of Power-Hungry Old-School Death Metal

While contemporary heavy groups are busy hugging trees and familiarizing themselves with legal botany, Assimilation occupy themselves with cultivating relentlessly crushing death metal. Often operating with beers in hand, the quartet finds an odd but fitting balance between crushing sonics and laid back attitudes. Here's a look into what makes them tick.


METAL MONDAY: Anesthetic by Mark Morton

The idea behind Mark Morton’s first solo album, Anesthetic, was to creat an album of songs that wouldn't fit in a Lamb of God release. In interviews, Morton has said that this album was written at a relaxed pace over a long period of time. It presents a body of work in a veritable variety of styles, though for the most part it does not stray too far from his work in the aforementioned Lamb of God.


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