Magazine

Indie-folk songstress Sharon Van Etten made a return to the limelight last month with the release of her fifth studio album entitled Remind Me Tomorrow(released on Jagjaguwar). This new addition to the singer-songwriter’s catalogue, though dark and edgy at the core, brings out a different side of Van Etten, with a more in-depth outlook supported by a contemporary sound that features more layers and electronic instrumentation than her earlier work.

Photo: Arielle de Pagter

On February 7, Andy Shauf brought his month long North American tour to Montreal’s Rialto Theatre. That Thursday night saw a brief respite from the bitter winter, with temperatures creeping above zero for what felt like the first time in ages.

Photo: Dominic Berthiaume

When listening to Histoire naturelle, the excellent debut album by Jonathan Personne, alias of Corridor singer and guitarist Jonathan Robert, one gets a sense that the breezy project was composed in a matter of days, such is the cohesiveness of the project.

Outside the venue, a large tour bus with a trailer is parked on the street. It’s unusual to see one outside of Fairmount Theatre. Dan Mangan doesn’t strike one as a tour bus artist. The indie rock outfit doesn’t seem like it would need much. I guess after a decade and a half in the business, one might splurge for extra comforts.