Magazine
Independent, provocative, now! The CJLO Magazine is the resource for features, reviews, and interviews. Established in 2004, and run by dedicated CJLO volunteers, the magazine covers the latest and best in local and international music, art, theatre, film, festivals, and more!
The constant, hours-long rain spell that befell Montreal did little to dampen the spirits of those who showed up for the Riverboat Gamblers/Rancid/Rise Against show at Parc Jean Drapeau, on Ile St. Helene. The crowd appeared to be predominantly youthful and seemed eager for the proceedings to start and jockeyed for position in front of the stage well before the start of the show.
My admirably apt associate summed up the Warped Tour 2009 experience pretty well, so I won’t bore you with a second recounting of the day’s events. I also won’t bother with the obligatory “this was my sixth and last Warped Tour because I am OLD” spiel that encapsulated my reviews of the last two years of everyone’s favorite summer cash suck.
Around mid-to-late 2007, Florida’s own Against Me! were burning up the charts and landing on seemingly everybody and their mother’s “Best of 2007” lists with their major label debut New Wave. This sudden hotness of Florida’s folk-punk elite inevitably resulted in many assumptions (or accusations, depending on who you ask) as to who “the next Against Me!” would be. The forerunners of this ham-fisted contest were undeniably New Jersey’s The Gaslight Anthem and their fellow Floridians Fake Problems (and Texas’ O Pioneers who, despite being the closest to AM!
The last time I saw the Raveonettes was when they were touring behind their sophomore full length, Pretty in Black, with LA noisepop trio Autolux. While I’ll admit I went primarily for Autolux (who are probably, and pretty much a well known fact around these CJLO halls, my favourite band currently), having the Raveonettes on the bill was an added bonus, as I was a fan of their Jesus and Mary Chain knock off songs. It was pretty much a dream show for anybody who likes their pop songs covered in white noise, fuzz, feedback, and the occasional droney rhythms, and the Raves were spot-on that night - bubbly, buoy
If you’ve ever tuned into my show, you’re probably well aware of my love for Sugar, Husker Du, and all things Bob Mould related (loud guitars? Check. Huge power pop hooks?
The thing about side-project bands is that they are always a gamble the first time around…and when gambling, the outcome can go one of three ways: win big, lose bad or come out even. The latter is how it was last night at the Green Room when 
Months ago, I found out about the young singer with an unusual name. The Youth Novels CD arrived at CJLO and I was not very impressed after the initial listen. I had a feeling there was something to her judging by how her name appeared on charts and lists I came across. In a discussion with a colleague, he mentioned her live performances are "off the hook." When the opportunity came to see her at Club Soda on February 4, I took it in the hopes of learning what the big deal about 
The Tom Fun Orchestra
The last time I saw 
It’s always an unfortunate circumstance when a writer needs to review two shows right after one another since there are only so many creative juices to be spread around. That having been said, I apologize to the Street Dogs for phoning in most of their review because I really need everything I’ve got to adequately describe how blown my mind was by Pages
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