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For those looking to relive the 90s, there’s no better news than a 30th anniversary performance possibly in the works of the debut album by Halifax power-pop quartet Sloan. “Four nights at the Foufounes!” bassist Chris Murphy told the crowd, before adding that he hopes to assemble the other acts that played their first Montreal show.

Murphy was joking, of course, because Sloan is nowhere close to being a nostalgia act.

Le festival international de films LGBTQ de Montréal, Image+Nation, va encore plus loin pour sa 31e édition, du 22 novembre au 2 décembre 2018. On s’attend à une semaine surprenante et à des films de qualité. D’année en année, les cinéphiles montréalais avides d’une meilleure représentation LGBTQ se donnent rendez-vous au festival qui ne cesse de grandir. Pour constater moi-même l’engouement autour d’Image+Nation, j’ai décidé d’assister à quatre de leurs soirées.

For a Sunday night, Montreal had many options for concert goers on Nov 4th. Metalheads seemed divided between seeing Behemoth at MTelus or Windhand at le Belmont. Personally, I was originally planning on seeing some good ol’ Quebec grindcore at l’Entre-Nous. That is, until I got word that Fucked Up would be in town, along with hardcore sound-alikes Mil-Spec.

Photo: Colin Medley

“I hope that show becomes my most important memory of 2018,” says Montreal’s Helena Deland with a laugh.  Deland is referring to her headline performance at this year’s edition of M for Montreal, the four-day festival spotlighting rising local talent for industry folk and music fans alike.  The show is the culmination of a whirlwind year of gigs for the singer-songwriter, including a U.S tour in the spring (including a performance at Austin, Texas’ venerable SXSW festival) and European one last month.