Magazine

Independent, provocative, now! The CJLO Magazine is the resource for features, reviews, and interviews. Established in 2004, and run by dedicated CJLO volunteers, the magazine covers the latest and best in local and international music, art, theatre, film, festivals, and more!


Street Dogs+ Hostage Life + Ashers

This is the fifth time I’ve attempted to begin this Street Dogs review with some kinda hyperbolic statement about how the show blew my mind and how Foufs is the perfect venue for a punk show and how the Street Dogs revolutionize street punk in 2009 but really? Who wants to read that? Not every show has to be mind-blowing or revolutionary to be good, and believe you me, this show was GOOD…except for one teency little programming snag.


World/Inferno Friendship Society

Wasting no time on hyperbole, I’m just gonna jump right to the quotable: The World/Inferno Friendship Society skirt the line between innovation and outright inspiration and their entirely unique brand of orchestral, cabaret proto-punk may very well bring new life to a genre rife with cliché and stale personalities (and if you disagree you are wrong.)


Nomeansno + The Devices + Grand Trine

Of all the musical pairings I've seen on Montreal stages these past few years, not many have been as inspired as this one: a collision of two of Canada's most enduring punk bands, both of whom have a penchant for twisted humor and social commentary - and surprisingly labyrinthine tunes. With the unenviable task of opening up for two long-standing punk institutions, locals Grand Trine did the sensible thing: they kept it short.


Propaghandi + Strike Anywhere + Humanifesto

Now let me just start this review by saying I was slightly worried while going in to the latest Montreal appearance from Manitoba’s Propagandhi (and that worry had nothing to do with the overzealous bouncer at Club Soda taking the batteries out of my portable recorder for fear that I would bootleg the show…although I was then half inclined to go buy new batteries and bootleg it on principle…but that’s neither here nor there.) Rather, in the months leading up to the show I experienced the following interaction more times than I can count with dudes


Rise Against / Rancid + The Riverboat Gamblers

The constant, hours-long rain spell that befell Montreal did little to dampen the spirits of those who showed up for the Riverboat Gamblers/Rancid/Rise Against show at Parc Jean Drapeau, on Ile St. Helene. The crowd appeared to be predominantly youthful and seemed eager for the proceedings to start and jockeyed for position in front of the stage well before the start of the show.


Warped Tour

My admirably apt associate summed up the Warped Tour 2009 experience pretty well, so I won’t bore you with a second recounting of the day’s events. I also won’t bother with the obligatory “this was my sixth and last Warped Tour because I am OLD” spiel that encapsulated my reviews of the last two years of everyone’s favorite summer cash suck.


Fake Problems

Around mid-to-late 2007, Florida’s own Against Me! were burning up the charts and landing on seemingly everybody and their mother’s “Best of 2007” lists with their major label debut New Wave. This sudden hotness of Florida’s folk-punk elite inevitably resulted in many assumptions (or accusations, depending on who you ask) as to who “the next Against Me!” would be. The forerunners of this ham-fisted contest were undeniably New Jersey’s The Gaslight Anthem and their fellow Floridians Fake Problems (and Texas’ O Pioneers who, despite being the closest to AM!


Raveonettes

The last time I saw the Raveonettes was when they were touring behind their sophomore full length, Pretty in Black, with LA noisepop trio Autolux.  While I’ll admit I went primarily for Autolux (who are probably, and pretty much a well known fact around these CJLO halls, my favourite band currently), having the Raveonettes on the bill was an added bonus, as I was a fan of their Jesus and Mary Chain knock off songs.  It was pretty much a dream show for anybody who likes their pop songs covered in white noise, fuzz, feedback, and the occasional droney rhythms, and the Raves were spot-on that night - bubbly, buoy


Grant Hart

If you’ve ever tuned into my show, you’re probably well aware of my love for Sugar, Husker Du, and all things Bob Mould related (loud guitars? Check.  Huge power pop hooks?


Nickel Eye

The thing about side-project bands is that they are always a gamble the first time around…and when gambling, the outcome can go one of three ways: win big, lose bad or come out even. The latter is how it was last night at the Green Room when Nickel Eye pulled into town to kick off their North American tour.


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