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Back in 1980s, a mystery album titled Nightmare Theatre (1985) dropped in record stores around North America and parts of Europe, shocking those who were lucky enough to grab a first pressing. The band responsible was Exorcist, but they certainly weren’t a “band” in any sense of the word. They didn’t play any shows, didn’t do any interviews, nor did they release any follow-up material.

Yves Jarvis is the stage name of Jean-Sébastien Audet – a singer originally from Calgary, Alberta. After moving to Montreal and performing under the stage name Un Blonde, the persona Yves Jarvis was borne in 2018. It was brought to life with The Same but by Different Means - his first album released under the new moniker. With this experimental album, Yves Jarvis began his dedicated journey to moving forward and being unafraid to explore mysterious waters.

Those familiar with LA-based electro-pop outfit Ming and Ping may have a particular sonic vision in mind for BAO’s debut album - BAO is the solo venture of Bao Vo, the producer and musical mind behind the duo’s sound. As a producer, Vo has worked with a number of other Asian-American artists, including the aforementioned Ming and Ping and Mariqueen Maandig Reznor, lead vocalist of How To Destroy Angels.

For At The Movies Reviews on location Remi was able to chat with Chris Dainty about his short animated feature Shannon Amen being showcased at this year's Festival Du Nouveau Cinéma. Using Animation (2D, Stop motion, and Icemation) along with archival footage, Dainty brings his friend Shannon Jamison’s story along with her art to life. Remi chatted about the animation techniques used to tell the story, as well as Dainty's process of emotions while making the film.