Magazine

In 2019 and 2020, Pest Productions, A black metal label from China, released two compilations of emerging Chinese black metal on Bandcamp. New bands with a diverse range of black metal subgenres were introduced in the compilations, including old school bm, blackened death, dsbm, nihilist bm, black/thrash, post bm/blackgaze, symphonic bm, as well as folk bm, which gave birth to the New Wave of Chinese Black Metal. This year in January, Pest Productions have returned with the third compilation, bringing more talented Chinese black metal bands to overseas metal fans (I posted links at the bottom of the article of the three compilations which are free to download on Bandcamp).

We get it. Not everyone loves metal like we do. The harsh vocals, heavy distorted guitars and blast beats can often be a turn off. But even the most hardened metalheads didn’t start their musical journey listening to the most brutal of death metal bands. We had to be slowly eased into the genre, beginning with something accessible before diving deep into pure aggression.

Content Warning: Mentions Indigenous children’s unmarked graves and residential schools

In the opening sequence of Ste. Anne, a lone figure slowly makes her way across a prairie field at dusk. A train whistles in the distance. It’s fall, and foreboding storm clouds have gathered just above the horizon. 

We learn that this is Renée (played by filmmaker Rhayne Vermette herself), a Métis woman whose family hasn’t seen or heard from her in four years, including her young daughter Athene (Isabelle d’Eschambault). 

Now, without a word of warning or explanation, she has decided to come home.