The Oscars are the Superbowl of events at our workplace. My colleagues and I have seen every single movie, have quoted Whiplash one to many times and have gotten into critical debates about American Sniper. So the time came around to predict the nominees on paper in every single category and here I am hoping my predictions for costume or for set design would not hurt my overall score. The morning came of the live televised nominations - and you know that they are live because no one has had their coffee yet and Dick Pope's name get's mispronounced. Our bookie for the event has been sick and we just got back our results of the first round of nominations last week.
Full disclosure: Matthew Rogers, vocalist and keyboardist for Fleece, is a current DJ at CJLO. The album was recorded at CJLO's "The Oven" studio by our Production Director Patrick McDowell. So, as Omar our head music director so rightly put it "this is a family affair".
A Mix for G in Ohio is a Valentine mix tape brought to you by Stephanie Dee from Yeti Dreams & Stranger Things (Fridays, 8 PM).
The cover art was made from old Twee Time and Idle Minds flyers, and the hand-written track list came in a sealed envelope decorated with a heart, beads, and feathers.
I was not looking forward to Kingsman: The Secret Service. When I first heard that it was adapted from a comic book miniseries by Mark Millar (Kick-Ass, Nemesis,Wanted, Marvel's Civil War) my stomach churned. I've definitely enjoyed director Matthew Vaughn's (2004's Layer Cake, 2011's X-Men: First Class) work in the past. Still, my experience with Millar's portfolio has been plagued by interesting concepts that often get buried under too much juvenile blood n' guts excess to stick the landing and deliver on their initial promise.
Viet Cong is the self-titled debut by this foursome from Calgary. This album is the follow up to last year's Cassette EP, and it's chalked full of sonic whines, hums and murmurs all set in a kind of impending doom-like atmosphere. The album often seems to musically wrestle between pessimism and optimism; a sense of doom often interrupted by bursts of hope.
I fell in the love with The New Pornographers when I was twelve years old. I was an awkward pre-adolescent with truly, utterly terrible taste in music. But then I discovered the Vancouver-based indie rockers and their 2003 sophomore album, Electric Version, and I knew I found something special.