Magazine

Independent, provocative, now! The CJLO Magazine is the resource for features, reviews, and interviews. Established in 2004, and run by dedicated CJLO volunteers, the magazine covers the latest and best in local and international music, art, theatre, film, festivals, and more!


Birds in Row bring sharp sound to Cabaret Foufs, along with Single Mothers and Botfly

On September 10th, 2024, Birds in Row made their third cross-continental journey to Montreal, all the way from Laval. Laval, France, that is. Exploding onto France’s Hardcore Punk scene with their debut album You, Me and The Violence in 2012, they’ve evolved to a more atmospheric sound with noise-rock and 90s alt-rock influences over the course of two more albums and a handful of EPs.


Peter Cat Recording Co. brings a worrying amount of everything to the Beanfield

If anything can foretell how good a show will be, it's the empty stage of the Beanfield. Covered in a truly surprising amount of instruments for a five-man band, red light glistens off drums, bass, three guitars, and an array of keyboards and wind instruments.


Crumb and L’Rain Effortlessly Triumph at Theatre Beanfield

It’s always funny how depending on what day you see a concert, it can add a whole new dimension and energy to a show. We all know the woes of dragging yourself out to a Monday or Tuesday night show, and the enthusiasm and rejuvenation that a Friday night show could bring. So what about a Sunday show? And on top of that, a Sunday show in the middle of the last long weekend of summer?


Okay Kaya September 7th at The Fairmount

On an unseasonably chilly and wet Saturday evening, a dedicated fan base turned out to the Okay Kaya show at the Fairmount Theatre. Damp umbrellas dotted the crowd that was composed of fans old and young, loud and quiet, yet all were, much like Okay Kaya herself, oozing cool fluidity. 


Palomosa Review - Ashes To Ashes

Bad luck doesn’t begin to describe what hit the organizers of the Palomosa Festival.

First the emails to ticket holders telling then they could bring a +1 for free. Then the wave of discount ticket prices in bulk for McGill students. And finally the forecast of heavy rain for the second of the festival’s two days.

But worst of all, Kali Uchis, the coup of a headliner Palomosa got for its second day, pulled out only a few days before the festival commenced, with little to suggest that it was due to anything other than low ticket sales.


Amidst the fog at Cigarettes After Sex

The last day of August, Saturday, August 31st, was rainy. The perfect weather for a Cigarettes After Sex concert, especially one that will start off the American pop band’s X’s World Tour. The Centre Bell was filled with smog. Thick clouds billowed in every staircase. Perhaps it was the mist rising from the audiences’ wet clothes, or the workers were testing the smoke machines before the show, but it turned the arena into the setting of a gothic novel. 


Clay Pigeon – The Aching Taste of Blue Album Review

Montreal music has recently been granted the fresh release of Clay Pigeon’s latest LP, The Aching Taste of Blue


Nothing Can Cage the Elephant

Matt Shultz's broken leg didn’t stop Cage the Elephant from rocking out. 

The American rock band stopped in Montreal on August 26th for their Neon Pill tour, dedicated to their sixth studio album which was released in May of this year.

There was a diverse mix of opening acts. Starting the night with Willow Avalon self-described through her music and merch as a “Southern belle raising hell”. Her set brought me closer to becoming a country music fan. She sang many unreleased songs, like “Homewrecker”, which I’ll definitely download once released. 


Prince Palu's FME 2024 Preview

Here in Quebec, there is an annual phenomenon that takes place right around this time of year.  As the summer begins to wind down there is a parallel excitement that begins to build, because for those in the know, it means that it is almost time for the Festival De Musique Émergente en Abitibi-Témiscamingue, more commonly referred to by melomaniacs as FME. Tucked away in the quiet mining town of Rouyn-Noranda - located roughly seven hours north of Montréal, close to the Ontario border - this festival has been going strong for over two decades, shining a light on emerging artists and building a beautiful network of exchange between artists and music enthusiasts.


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