Magazine

CW: This article talks about sexual assault present in the film. 

Existing in the spotlight is very complicated and complex; even now, it is rare to come out unscathed—both in the public’s eye and in your own. This, if nothing else, is clear throughout Andrew Dominik’s Blonde (2022), the newly released Netflix film calling itself a fictional portrait of Marilyn Monroe and “the price she paid for fame.” 

It's the time of year again where the city’s heartbeat is a little more uptempo. The streets are plastered with pastel coloured posters with beautiful faces on them. Shops, restaurants and venue doors are left half-open despite the start of the autumn cold. And anyone you may bump into in the mile end area will be either coming from or going to one thing: Pop Montreal and Pop Montreal.

Montreal streetwear and skate brand, Dime brought their Glory Challenge back for its sixth edition last Saturday. Despite a two year gap due to the COVID-19 pandemic, their audience has continued to grow. Brand new challenges were being presented, and there was no shortage of skaters eager to conquer them. However, the goal isn't fame or fortune. “Getting together and having a community, that’s why I’m here,” said Leon Dechapdelaine, a skater hailing from Quebec, who was invited to the event.

2022 has seen a lot of action for synthwave in Montreal. April saw Dance with the Dead rock Les Foufounes Électriques and just before that, Carpenter Brut having stormed through M-Telus. The double bill of Perturbator and HEALTH on September 8 brought another taste of the niche genre, this time at the Corona Theatre.